– Bloodshot hollow eyes, emaciated arms and rambling on the phone: Haunting video of Angelina Jolie the heroin addict (Daily Mail, July 9, 2014):
Her eyes are bloodshot and hollow, her arms emaciated and scratched.
Pacing about her living room, Angelina Jolie picks at her skin with her filthy fingernails as her self-proclaimed drug dealer films her in a rambling phone conversation with her father.
Take a look at this: Continue reading »
– Hollywood inserts gun control subtext in new Planet of the Apes movie (Infowars, July 8, 2014):
Entertainment part of brainwashing effort against 2nd Amendment
It is no secret Hollywood is loaded with liberal movie moguls and directors.
Last January we reported on uber-lib movie producer and Obama supporter Harvey Weinstein bragging he would produce a film attacking the Second Amendment and targeting the National Rifle Association. Weinstein told Howard Stern the NRA would “wish they weren’t alive after I’m done with them.”
“I don’t think we need guns in this country. And I hate it,” he added. Continue reading »
From the article:
“Defendant Singer told plaintiff how ‘this group’ controls Hollywood.”
– ‘X-Men’ director Bryan Singer accused of sexually abusing 15-year-old boy at California mansion (NY Daily News, April 17, 2014):
Bryan Singer, whose first hit as a director was 1995’s ‘The Usual Suspects,’ allegedly met accuser Michael Egan III, then 15, in 1998 at a mansion in Encino, Calif., that was the site of regular drug-fueled underage sex romps.
Famous Hollywood director Bryan Singer has been accused in a new federal lawsuit of sexually abusing a 15-year-old boy.
The suit, filed Wednesday in federal court in Hawaii, accused the 48-year-old “X-Men” filmmaker of first preying on the 15-year-old aspiring actor at a party at a California mansion where underage boys were plied with drugs and alcohol and taken advantage of.
YouTube Added: Nov 7, 2013
Abby Martin speaks to the director of Project Censored, Mickey Huff, about the organization’s release of ‘Censored: 2014′ the annual publication of the top most censored stories in the corporate press, from the trial of Chelsea Manning to the Trans Pacific Partnership.
– Roseanne Barr: “MK Ultra Rules In Hollywood” (Collective-Evoution, Aug 21, 2013):
For those of you that don’t know, Roseanne Barr is a well known actress, comedian, writer, television producer and director. She has won several awards which include Emmy awards, Golden Globe awards, People’s Choice awards and more. She has been in the industry for over twenty years and has gained much respect from many of her Hollywood colleagues who she is now speaking on behalf of. I just want to make it clear how long she has been inside the industry, and the connections she has to others within it. Industry insiders are feeling the need to share inspirational words and food for thought to the millions of people that pay attention to them as of late. We saw this recently with Ashton Kutcher. Celebrities have a voice that can reach a large sum of people, they can be a threat to corporate interests and the controlling elite and as Roseanne states, many celebrities bite their tongue and live in a culture of fear.
Not long ago, Roseanne made some shocking statements, alluding that Hollywood and the entertainment industry is dominated by MK Ultra. MK Ultra was the name for a previously classified research program through the CIA’s scientific intelligence division. It was the CIA’s program of research in behavioral modification and perception manipulation of human beings (1). It was previously known as Operation Paperclip (2). Roseanne is suggesting that Hollywood is a tool used in the manipulation of human consciousness, used as a tool for behavior modification and perception control in human beings.
Hollywood is the one that keeps all of this power structure. They perpetuate the culture of racism, sexism, classism, genderism and keep it all in place. They continue to feed it, and they make a lot of money doing it. They do it at the behest of their masters, who run everything.
I speak on behalf of Hollywood. I go to parties, Oscar parties and things like that and big stars pull me aside, take my arm and whisper: “I just want to thank you for the things you say.” And it blows my mind, but that’s the culture, it’s a culture of fear.
It’s a big culture of mind control, MK Ultra rules in Hollywood
The CIA and Hollywood
It’s funny that ancient Druid ‘wizards’ and ‘magicians’ used to make their wands specific for casting spells from the Holly Wood tree. Maybe “Hollywood” is used to cast spells on the masses, because at the very least it can sure seem that way. Everything we do is so systematic, so robotic in nature. We go to school, get a job, have a family and chase materialistic gains only to find out that it is not what our soul truly desires. We are told what to wear, what’s popular, what to buy, what truth is and how life is through television. It keeps us occupied, ignorant and blind to what is really happening on our planet.
This the guy giving the instructions. He is dressed in full Masonic attire and around him are EVERY SINGLE Masonic symbol in existence. Left of him is the Masonic square and compass, right of him are the Masonic G with the all seeing eye. Bonus: a skull. In front of him is the seal of Solomon and, again, a pyramid with all seeing eye.
Watch the video here:
– Why So Much Occult Symbolism in Vanity Fair’s Video “How to Land a Hollywood Agent”? (Vigilant Citizen, Sep 6, 2013):
The magazine Vanity Fair created a series of short videos called Vanity Code, quick “how to” guides how to be a douchebag socialite – the “lifestyle” promoted by the magazine. The video entitled “How to Land a Hollywood Agent” humorously instructs small time writers how to become big time in Hollywood. While the humor somewhat caused me to expire air out of a my nose at some point, it is the blatant and flagrant symbolism that caused me to watch it again. Here’s the video.
Take a look at this:
Horned Hand or The Mano Cornuto: this gesture is the Satanic salute, a sign of recognition between and allegiance of members of Satanism or other unholy groups.
And this is just (another) movie:
Maleficent (pronounced /məˈlɛfɪsənt/) is a fictional character and the main antagonist in Walt Disney’s 1959 film Sleeping Beauty. She is the self-proclaimed “Mistress of All Evil” who, after not being invited to a royal christening, curses the infant Princess Aurora to “prick her finger on the spindle of a spinning wheel and die” before the sun sets on her sixteenth birthday. The character is Disney’s adaptation of the wicked fairy godmother from the original French fairy tale.
Maleficent is often viewed as the most powerful and sinister of the Disney Villains, frequently acting as their leader in many crossovers, and her scenes in the climax of the film are among the darkest and most intense produced by Disney. In Ultimate Disney’s top 30 Disney Villains countdown, Maleficent ranked #1. She also plays a major role in the Kingdom Hearts series, as a recurring villain.
– My Medical Choice (New York Times, May 14, 2013, by Angelina Jolie):
MY MOTHER fought cancer for almost a decade and died at 56. She held out long enough to meet the first of her grandchildren and to hold them in her arms. But my other children will never have the chance to know her and experience how loving and gracious she was.
We often speak of “Mommy’s mommy,” and I find myself trying to explain the illness that took her away from us. They have asked if the same could happen to me. I have always told them not to worry, but the truth is I carry a “faulty” gene, BRCA1, which sharply increases my risk of developing breast cancer and ovarian cancer.
My doctors estimated that I had an 87 percent risk of breast cancer and a 50 percent risk of ovarian cancer, although the risk is different in the case of each woman.
Only a fraction of breast cancers result from an inherited gene mutation. Those with a defect in BRCA1 have a 65 percent risk of getting it, on average.
Once I knew that this was my reality, I decided to be proactive and to minimize the risk as much I could. I made a decision to have a preventive double mastectomy. I started with the breasts, as my risk of breast cancer is higher than my risk of ovarian cancer, and the surgery is more complex.
On April 27, I finished the three months of medical procedures that the mastectomies involved. During that time I have been able to keep this private and to carry on with my work.
But I am writing about it now because I hope that other women can benefit from my experience. Cancer is still a word that strikes fear into people’s hearts, producing a deep sense of powerlessness. But today it is possible to find out through a blood test whether you are highly susceptible to breast and ovarian cancer, and then take action.
– Remember Zero Dark Thirty? Turns Out it was a CIA Propaganda Film After All (Liberty Blitzkrieg, May 7, 2013):
In 1977, Carl Bernstein, famed for his Watergate reporting, disclosed that more than 400 journalists and executives of mostly liberal US media organisations had worked for the CIA in the past 25 years. They included journalists from the New York Times, Time and the big TV broadcasters.
– John Pilger in his powerful article, The New Propaganda is Liberal
This isn’t the first time I’ve used the above quote to kick off a post. I also used it in late March for the article: How Hollywood Became “Propagandist in Chief” by John Pilger. How right he was in that scathing critique of the artistic joke that has become big budget performing arts in America these days. Now, courtesy of documents obtained through the Freedom of Information Act regarding the CIA’s influence on Hollywood blockbuster Zero Dark Thirty, we discover what a total propaganda joke this film really is. What an utter embarrassment to cinema.
Kathryn Bigelow’s Osama bin Laden revenge-porn flick Zero Dark Thirty was the biggest publicity coup for the CIA this century outside of the actual killing of Osama bin Laden. But the extent to which the CIA shaped the film has remained unclear. Now, a memo obtained by Gawker shows that the CIA actively, and apparently successfully, pressured Mark Boal to remove scenes that made them look bad from the Zero Dark Thirty script.
– The CIA and Other Government Agencies Dominate Movies and Television (ZeroHedge, Jan 16, 2013):
Rob Kall points out that the military-industrial complex is the winner of the Golden Globe award:
Homeland won best TV series, best TV actor and actress. It IS a highly entertaining show which actually portrays some of the flaws of the MIIC system.
Argo won best movie and best director. It glorifies the CIA and Ben Affleck spoke with the highest praise for the CIA.
And best actress went to Jessica Chastain of Zero Dark Thirty, a movie that has been vilified for propagandizing the use of torture. Continue reading »
– Sandy Hook, Dark Knight Rises, Aurora, Skull&Bones (Jon Rappoport, Dec 18, 2012):
The confirmed discovery that at 1hr:58 of the Dark Knight Rises, Commissioner Gordon is pointing to the words “Sandy Hook” on a map of the Gotham area has caused a storm of interest.
As it should—since 27 people were just killed at the Sandy Hook Elementary School, and in the Dark Knight film, “Sandy Hook” is indicated as a target for attack.
Tags: 1984, Alex Jones, Batman, Cell Phone, CIA, Dictatorship, Drones, Fascism, Fluor, Fluoride, George Orwell, Global News, Government, Hollywood, Hypnosis, Mind-Control, mobile p, Movies, New World Order, NSA, Pentagon, Police State, Politics, Smartphone, Society, Subconscious Mind, Surveillance, Terrorism, Terrorists, The Dark Knight Rises, U.S.
– Bombers in Hollywood: The Price of Military Tech Assistance in Movies (Vice, May 22, 2012):
Last weekend, a depressing irony flew under the cultural radar.
At Camp David, President Obama met up with fellow NATO leaders to discuss the road ahead in Afghanistan. Although no one there used the language of defeat, the implicit message was clear: the war has gone nowhere in the past few years and it’s time to start packing up. Meanwhile, what raked in $25.5 million at the box office? Battleship. And who provided director Peter Berg with the war technology that beats the aliens? The U.S. military.
He’s not the only one: the past few years have seen an explosion of high-profile cooperation between the armed forces and the movie industry. If the most powerful armed force in history isn’t winning in reality, it certainly is on the big screen. And like so many problematic aspects of late capitalism, the military-Hollywood complex has a grimly understandable logic.
Matthew Alford, film researcher and author of Reel Power: Hollywood Cinema and American Supremacy, is even harsher in his critique. “The Pentagon has a manual. Basically, it will only provide full cooperation to propaganda pieces,” he said in an interview.
– James Cameron plans move to NZ (Stuff, Feb. 1, 2012):
Hollywood movie mogul James Cameron is coming to live in Wairarapa – and he is bringing his family with him.
The director of blockbuster films Titanic and Avatar has purchased two large plots of land along Western Lake Rd in south Wairarapa, where he is expected to arrive and live later this year.
Records released today from the Overseas Investment Office show that James F Cameron, of Canada, was given consent in December to purchase two separate properties, one 817 hectares and the other nearly 250 hectares.
The purchase price is listed as confidential.
– George Lucas worries Hollywood doesn’t support black films (Washington Post, Jan. 11, 2012):
George Lucas, the influential creator of the “Star Wars” films, has added his voice to the perennial concern that Hollywood doesn’t care about black films.
In a series of interviews in recent days Lucas has said he himself had to bankroll “Red Tails,” a movie 23 years in the making about the Tuskegee Airmen opening Jan. 20. Lucas invested $93 million of his own money for the making and distribution of the film, according to “Speakeasy,” a blog of the Wall St. Journal.
Lucas blamed the reception to an “all-black cast” without any white headliners for the roadblocks he encountered within Hollywood. “It’s because it’s an all-black movie. There’s no major white roles in it at all,” said Lucas. The response he got Lucas told Stewart was “we don’t know how to market a movie like this.”
Yes, because there is (probably) not one famous actor that is not a satanist. They HAVE TO become satanists in order to become famous.
And satanists are (usually) pedophiles.
So the no. 1 problem for child stars in Hollywood is satanism.
And before leaving an ignorant comment, please do your research.
– Actor Corey Feldman Says Pedophilia No. 1 Problem for Child Stars, Contributed to Demise of Corey Haim (ABC NEWS, Aug 10, 2011):
Corey Feldman has no idea what it’s like not to be famous. After all, he starred in a McDonald’s ad when he was just 3 years old.
“I literally was famous before I knew my own name,” he said in an interview with ABC News’ “Nightline.”
The ad led to roles in films such as “Stand By Me,” “Goonies” and “License to Drive.” He was a household name before he could read.
“I knew … to respond to Corey, but I didn’t know how to write it; I didn’t know how to spell it,” he said.
But being famous and underage, he said, caused serious damage to him and his friends, including loss of innocence and a lost childhood.
Feldman blamed the adults around him, not just those looking to profit from charming children, but also some with far more sinister motives.
“I can tell you that the No. 1 problem in Hollywood was and is and always will be pedophilia. That’s the biggest problem for children in this industry. … It’s the big secret,” Feldman said.
Charlotte Gainsbourg, Kiefer Sutherland, Alexander Skarsgård, Stellan Skarsgård, John Hurt, Kirsten Dunst and Charlotte Rampling in the first trailer for Lars von Trier’s Melancholia
Movie information here:
YouTube has removed the videos, AGAIN.
Tom and Jerry is a series of animated theatrical shorts created by William Hanna and Joseph Barbera for Metro-Goldwyn-Mayer that centered on a never-ending rivalry between a housecat (Tom) and a mouse (Jerry) whose chases and battles often involved comic violence. Source: Wikipedia
- Industry suffers from credit crunch and digital revolution
- Current peak of 600 movies produced per year is likely to fall to below 400
The number of films being produced by Hollywood is set to fall by more than a third as the major studios struggle against a twin threat, industry analysts say.
Their problems stem from a dearth of funding and from the digital revolution in the way people consume moving images.
Mark Gill, head of the Film Department, an independent film finance firm, predicted that last year’s peak of 606 films to emerge from Hollywood would fall to fewer than 400 next year “and it may go lower than that in future”.
The finances are in freefall, Gill said. In the wake of the financial meltdown, banks that had acted as the main funders of big- and middle-budget films have withdrawn their largesse, sucking $12bn (£7.4bn) out of the $18bn available to the top studios.