Stunning Video Footage Of Chernobyl Devastation Captured By Drone

Stunning Video Footage Of Chernobyl Devastation Captured By Drone (ZeroHedge, Dec 4, 2014):

With the Fukushima disaster having disappeared from all media coverage in recent months (and with the plan to encapsulate the radioactive plant in an ice sarcophagus recently scrapped, Japan has still to reveal what its plans are for dealing with the disaster area), the world occasionally needs a reminder of the waste land that follow when nuclear power goes horribly wrong.

For that we go back to the original nuclear disaster, Chernobyl, and US photographer Phillip Grossman who, while having taken numerous pictures of the radioactive sarcophagus and its surroundings in the past, has produced his most amazing work yet courtesy of a camera-equipped drone. It allowed him to use a high powered camera and get a bird’s eye view of the surrounding landscape.

The stunning result is shown in the video below.

Some further details: the American, who has always had a fascination with nuclear power plants (and perhaps even disasters as he grew up 11 miles away from Three Mile Island in Pennsylvania, which was the scene of the worst nuclear disaster on US soil) talks to RT about his artistic vision.

“I think you are destined to repeat history if you don’t learn from it. So part of what I am doing with the documentation is really show people what happened. Lives were destroyed, families were torn apart.”

Grossman had experience as a pilot, which gave him a head start in terms of the pictures he was looking to take. He knew he had to take into account the overgrowth of trees and shrubs, which have grown unhindered for almost 30 years. He also mentioned that he heard bears and other wildlife are returning to the region due to the lack of human activity.

“I tried to remove bias and that’s what I love about photography and film making is that a picture is worth a thousand words. I would rather the person watching would make up their own mind.”

The photographer was also given access to the control room at reactor number four, where the disaster on April 26, 1986 started. Time was of the essence given that the room was still highly radioactive following the accident. However, it was here that Grossman experienced one of his most poignant memories of the whole trip.

“We did manage to gain access to the control room and reactor No. 4. I was ecstatic that we were finally able to go. We were given very little time in there. I stood in there and was taking pictures and within about 30 seconds it dawned on me where I truly was.”

Grossman also tried to portray the size of the city of Pripyat, which housed the employees and the families of those who worked at Chernobyl. The population was around 50 thousand and it was a large modern city. The photographer said the the average age of the population was around 25-26, so there were a lot of children and elementary schools and a lot of mementos.

“Walking through those buildings and seeing the children’s toys on the floor. Seeing the children’s beds where they napped was the most striking (thing). I had to be reminded that there had not been a war here and it was a little bit more comforting to know that people weren’t murdered and killed there. This was a place of happiness for children and it’s no longer that way.”

The American photographer has spent 34 days in Chernobyl and Pripyat during his trips there and has amassed around 30 hours of material. He is current looking to see if any US television companies are interested in broadcasting a documentary about the disaster zone, which he wants to produce.

“We managed to find a village on the outskirts which was relatively untouched and we walked into some of the buildings and some of the homes just to see what was there. I know people left one of the buildings because the calendar says May 3.”

“I took pictures of some family photos lying on the floor. I don’t know how realistic it would be to find those people, but I would love to and that’s kind of why I want to get the word out about the project.”

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